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Monday, January 21, 2008

family

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(thanks wikipedia.org)

Potter family

Geraldine Somerville as Lily Potter, Adrian Rawlins as James Potter, and one of the Saunders triplets as one-year-old Harry Potter in Harry Potter and the Philosopher's Stone
Geraldine Somerville as Lily Potter, Adrian Rawlins as James Potter, and one of the Saunders triplets as one-year-old Harry Potter in Harry Potter and the Philosopher's Stone

The following are fictional characters in the Harry Potter book series written by J. K. Rowling. They are all relatives of the main character, Harry Potter.


The Potters

James Potter

Harry Potter character
James Potter

Adrian Rawlins as James Potter
in Harry Potter and the Philosopher's Stone.
House Gryffindor
Parentage Pure-blood
Actor Adrian Rawlins (adult), Robbie Jarvis (teenager)
First appearance Harry Potter and the Philosopher's Stone

The character of James Potter (27 March, 1960 – 31 October, 1981) is the father of Harry Potter. On the night he was murdered, James was the first to witness Lord Voldemort approaching. He is then said to have warned his wife with a cry to flee with Harry (then 1), meaning he was to sacrifice his life in the hope that Lily and Harry would be able to escape.

Rowling describes James and Harry to having similar attributes: the same thin face, same hands, and the same untidy black hair sticking up at the back, and (nearly) the same height as his son during their school days. However, Rowling also describes James Potter as having hazel eyes and a slightly longer nose than Harry does. He attended Hogwarts 1971 to 1978 where he was in Gryffindor. In Harry Potter and the Prisoner of Azkaban it is revealed that James's best friends were Sirius Black, Remus Lupin, and Peter Pettigrew, and that the four were known as The Marauders. They gave themselves nicknames: James was "Prongs", Remus was "Moony", Sirius was "Padfoot", and Peter was "Wormtail". They illegally became Animagi in order to keep Remus company when he involuntarily transformed into a werewolf in the Shrieking Shack. James became a stag, Sirius became a black dog, and Peter became a rat. Harry's Patronus takes the form of a stag, clearly a likeness of "Prongs", his father.

Characters in the books often comment on the personality of James. Severus Snape considers him "exceedingly arrogant" whereas Remus calls him "the height of cool", and Sirius describes him as "sometimes an arrogant little berk". Scenes from James's years at Hogwarts indicate that he did bully Snape. In Harry Potter and the Order of the Phoenix, after seeing Snape's memories of James within a pensieve, Harry agrees with Snape's assessment of his father's arrogance; the revelation leaves Harry deeply depressed and disheartened. However, James did once save Snape's life after Sirius had attempted to goad Snape into the Shrieking Shack, where Lupin was transforming into a werewolf. James and Sirius were apparently popular students, ingenious pranksters, and very witty. Madam Rosmerta of the Three Broomsticks pub in Hogsmeade once talked fondly of how the two boys used to come into her bar, joke with her, and make her laugh. The two also proved intelligent enough to learn how to become Animagi.

In Harry Potter and the Deathly Hallows, via Snape's dying memory, Harry witnesses James meeting Snape, Lily, and Sirius for the first time when they board the Hogwarts Express. James, who despises the Dark Arts, displays clear hostility toward Snape and the latter's hope that he and Lily will both be sorted into Slytherin. Even so, James decides that Sirius is "all right", though he learns that the entire Black family has been in Slytherin. Snape, for his part, thinks that James is silly to want to be in Gryffindor, since he believes that students in that house are "brawny but not brainy". According to J.K. Rowling in a recent interview: "James always suspected Snape harboured deeper feelings for Lily, which was a factor in James’ behavior to Snape". [1]

At Hogwarts, James was a brilliant student, and in Harry Potter and the Philosopher's Stone, he is said to have become Head Boy, although in Harry Potter and the Order of the Phoenix it is said that Remus was a prefect, not James. (He may have become Head Boy by his seventh year with maturity and the growth of responsibility and common sense.) He was also a player on the Gryffindor Quidditch team. In the film version of Philosopher's Stone, Harry and his friends find James' name listed on a plaque as a Seeker on his Quidditch team; however, J.K Rowling stated in an interview that he was in fact a Chaser.[2] He was shown playing with a Golden Snitch outside of games and practices[HP5], ostensibly to show off, and he apparently had a habit of rumpling up his hair to suggest that he had just stepped off a broomstick. James' wand was 11 inches long, made of mahogany, pliable and excellent for Transfiguration.

It is revealed in Harry Potter and the Deathly Hallows that James was a descendant of Ignotus Peverell and thus inherited the Cloak of Invisibility. The epilogue mentions that Harry names his first son James.

Lily Evans

Harry Potter character
Lily Potter

Geraldine Somerville as Lily Potter,
in Harry Potter and the Philosopher's stone
House Gryffindor
Parentage Muggle-born
Actor Geraldine Somerville (adult)
Susie Shinner (teenager)
First appearance Harry Potter and the Philosopher's Stone

Lily Potter (née Evans) is the mother of Harry Potter, whom was murdered on the same night as her husband by Lord Voldemort.

While at Hogwarts, James met his future wife Lily Evans (30 January, 1960 – 31 October, 1981), who was also in her first year. Lily's wand was 10¼ inches, made of willow, swishy and excellent for Charms. She is described as having had startlingly green almond-shaped eyes and thick, shoulder-length dark red hair. According to Professor Slughorn, Lily had a natural and intuitive ability at Potions and was very brave, very funny and very charming; he could not imagine that anyone who had met her would not have liked her. She became a member of the Slug Club, which was run by Slughorn for promising students (and people with prestigious connections). Lily was also very pretty, and it is evident that James was very taken with her, at least since their fifth year.

Lily was Muggle-born, and at home, her sister Petunia despised her for being a witch and viewed her as a "freak." Petunia was, however, envious of her sister's abilities and of their parents’ enthusiasm and interest in the wizarding world. In Harry Potter and the Philosopher's Stone Petunia tells Harry that, "But for my mother and father, oh no, it was 'Lily this' and 'Lily that', they were proud of having a witch in the family!" The reader learns that Petunia resented the manner in which their parents favoured Lily and that she herself had wanted to attend Hogwarts, an ambition gently turned away by Albus Dumbledore. Rowling stated on her site that Lily did receive warning letters for testing the limits of the statute of secrecy [3]. Lily's patronus is a doe, presumably to pair with James' animagus shape of a stag. Severus Snape also has the doe as his Patronus, to match Lily's.

The old, pre-Hogwarts friendship between Lily and Snape is fully revealed in Harry Potter and the Deathly Hallows, along with the fact that Snape harboured unrequited romantic feelings for Lily from their first childhood meeting. Rowling makes it clear that Lily might have returned these feelings if Snape had not become so seriously involved in the Dark Arts. During their early years at Hogwarts, Lily expressed her concerns about Snape's attraction to these arts and about his choice of friends. Already strained, their relationship ended in their fifth year at Hogwarts, when Snape, in a moment of humiliation, unthinkingly called Lily a Mudblood after she had defended him against James and Sirius. Afterwards, Lily, pointing out that Snape's other friends felt similarly about her parentage, ended their friendship, despite Snape's desperate attempts to apologise for the incident. Subsequently, Snape refuses to utter the word Mudblood and hates hearing it used, as shown in Book 7, when Phineas Nigellus Black refers to Hermione Granger as a "Mudblood". In the wake of the breach with Lily, Snape becomes a Death Eater and informs Lord Voldemort of an overheard prophecy, which Voldemort takes to refer to Lily and her son, Harry. Fearing for Lily's life, Snape joins the Order of the Phoenix, as a spy for Albus Dumbledore, in exchange for what he hopes will be Dumbledore's protection of Lily and her family. This hope fails when, despite Snape's pleas that she should be spared, Voldemort kills Lily because she refuses to step aside so that he can murder Harry. After Lily's death, Snape is persuaded by Dumbledore to devote his life to protecting Harry in order to honour the sacrifice of the woman he never ceased to love.

Lily was Head Girl in her final year at Hogwarts. For most of the time they were students, Lily regarded James as an "arrogant toerag", and she and James addressed each other only by their surnames. However, James was shown doodling Lily's initials during an examination in their fifth year, and Sirius recalled that he could not resist showing off (and making a fool of himself) whenever she was around. Lily herself expressed contempt for his behaviour, looking at him with "great dislike" and calling him "an arrogant bullying toerag". After he asked her out in their fifth year, she replied that she wouldn't go out with him if it was a choice between him and the giant squid and remarked that, "I'm surprised your broomstick can get off the ground with that fat head on it. You make me SICK!" From this, Harry gathered the impression that Lily hated James, but Sirius and Lupin assured him that she did not hate her future husband; they "simply got off on the wrong foot". Lupin told Harry that after James matured and changed his attitude, Lily started dating him in their seventh year. They married soon after leaving Hogwarts with Sirius acting as best man at their wedding. It is not known what careers, if any, they pursued after leaving school. Rowling said in an interview, "James inherited plenty of money, so he didn't need a well-paid profession".

Though Harry bears a great resemblance to his father, it is often noted that he has Lily's eyes. In a 1999 interview, Rowling stated that, "Harry has his father and mother's good looks. But he has his mother's eyes and that's very important in a future book". [4] That "future book" was Deathly Hallows. In Snape's death scene in that novel, after having passed his memories to Harry, he whispers to Harry: "Look... at... me..." In one of Snape's memories, it is revealed that Dumbledore convinces Snape to protect Harry after Lily's death by mentioning the fact that he has "precisely" the same eyes as his mother.

In the epilogue of Harry Potter and the Deathly Hallows, Harry's three children appear: a son named James Sirius Potter, a daughter who is named after Lily and a son named Albus Severus. Albus is named for Dumbledore, but his middle name honours the man who loved Lily Evans so much that he dedicated his life to protecting her son and ultimately lost his life in the attempt. It is also mentioned that Albus is the only one of Harry's three children to have inherited Lily's green eyes.

James, Lily, and Harry

James and Lily had a son, Harry James Potter, born on 31 July, 1980. James and Lily belonged to the Order of the Phoenix, which was an organisation created for wizards and witches who wanted to battle Lord Voldemort and his followers, the Death Eaters.

This organization was created and led by Albus Dumbledore. Dumbledore was given a prophecy by Sybill Trelawney that someone who could defeat the Dark Lord would be born to parents who had already defied him three times. Voldemort was told part of the prophecy by Severus Snape, who had been caught outside the door after hearing the first half of the prophecy.

Although both Harry and Neville Longbottom matched the description, Voldemort went after Harry, resolving to kill him. The Potters were deep in hiding through the Fidelius Charm, but on 31 October, 1981, the Potters' whereabouts were betrayed by their friend Peter Pettigrew, and they were attacked without warning at their home in Godric's Hollow. James told his wife to run and take Harry while he held Voldemort off. He was killed soon afterwards.

Lily could have saved herself when Voldemort attacked her family, since he offered her the chance to step aside while he killed Harry. This was shown in a flashback sequence during Harry Potter and the Philosopher's Stone. Voldemort's single motive for offering to spare Lily's life at the request of Snape is revealed in the seventh book, but Lily refused and Voldemort killed her. The result of her selfless act of love was to invoke an ancient magic that gave Harry an innate defence against Voldemort (Rowling has stated that Lily did not know that this would happen because "it never happened before"). This magic manifested itself two ways: First, when Voldemort attempted to kill Harry with the Killing Curse, Avada Kedavra (which had never before been survived), the spell backfired, rendering Voldemort non-corporeal. Asked whether there was anyone else present in Godric's Hollow on the night the Potters died, Rowling replied, "No comment". [5] However, Voldemort did consider killing a Muggle boy who believed his appearance to be due to a Halloween costume.

The lingering protection afforded to Harry by Lily's sacrifice rendered Voldemort unable to physically touch him. In Harry Potter and the Philosopher's Stone, Professor Quirrell, acting as host to Voldemort, attempted to attack Harry to gain the Philosopher's Stone. He was prevented from stealing the Stone because encountering Harry's skin severely burned him, causing great pain. Harry realised this and used it to his advantage until Dumbledore arrived. Quirrell died soon afterwards, leaving Voldemort forced to return to his non-corporeal state. Voldemort has since overcome this inability to touch Harry by using Harry's blood to regenerate his own body. However, when Harry tells Dumbledore this, he thinks he sees, for a fleeting instant, something like "a gleam of triumph" in Dumbledore's eyes. Harry thinks he must have imagined it though, for Dumbledore merely says, "Very well, Voldemort has overcome that particular barrier" When asked about the gleam of triumph, J. K. Rowling says, "That's still enormously significant. And let's face it, I haven't told you that much is enormously significant, so you can let your imaginations run free there". [6] In Harry Potter and the Deathly Hallows, after Voldemort uses the Killing Curse on Harry, Albus Dumbledore tells him that as long as his blood, with Lily's protection in it, still lives in Voldemort, Harry's life is protected by it.

Robbie Jarvis as a young James Potter, Susie Shinner as a young Lily Evans, and Daniel Radcliffe as Harry Potter in a deleted scene from Harry Potter and the Order of the Phoenix
Robbie Jarvis as a young James Potter, Susie Shinner as a young Lily Evans, and Daniel Radcliffe as Harry Potter in a deleted scene from Harry Potter and the Order of the Phoenix

The second way in which Harry is protected by Lily's sacrifice occurs at the Dursley residence in Little Whinging. Harry was taken in by Lily's sister, Petunia, who is married to Vernon Dursley. Dumbledore told Harry that he had extended Lily's protection to the home where Lily's sister Petunia lived. This was possible because Lily and Petunia are related by blood. As long as it continues to be Harry's home, Voldemort cannot harm Harry there. This protection ends when Harry comes of age at 17.

In the graveyard at the end of the American edition of book 4, James comes out of Voldemort's wand first when the wands connect. On her website[7], J.K. Rowling addresses this issue: "Lily first, then James. That’s how it appears in my original manuscript but we were under enormous pressure to edit it very fast and my American editor thought that was the wrong way around, and he is so good at catching small errors I changed it without thinking, then realised it had been right in the first place. We were all very sleep-deprived at the time".

In Harry Potter and the Deathly Hallows, when Harry goes off to die at Voldemort's hands, he uses the Resurrection Stone to summon the spirits of Lily, James, Sirius and Lupin. They come back as "more than ghost but less than flesh" and tell him that they are proud of him. The four of them escort him to Voldemort, and when he drops the Resurrection Stone, they disappear. Their presence gives him the courage to do what he needs to do.

Also in Harry Potter and the Deathly Hallows, Harry visits their tomb in the graveyard in Godric's Hollow where the phrase "The last enemy that shall be destroyed is death" is engraved upon the tombstone. This phrase is from the Bible, 1 Corinthians 15:26.

The Dursleys

The Dursley family are Harry Potter's last living relatives. In order to ensure his safety, Albus Dumbledore placed Harry under their care as a baby. The Dursleys live at Number 4, Privet Drive, Little Whinging in Surrey, England.

The name "Dursley" derives from the small town in Gloucestershire, near to the birthplace of J. K. Rowling.

[edit] Vernon Dursley

Harry Potter character
Vernon Dursley

Richard Griffiths as Vernon Dursley
in Harry Potter and the Prisoner of Azkaban.
Parentage Muggle
Actor Richard Griffiths
First appearance Harry Potter and the Philosopher's Stone

Vernon Dursley is the first character introduced in the Harry Potter series. He is Harry Potter's uncle—he is married to Petunia, Lily Potter's sister, and they have a son named Dudley. Vernon is described as a big, beefy man, with hardly any neck, and a large moustache. He is very much the head of his household, laying down most of the rules for Harry and doing most of the threatening while his wife turns a deaf ear, as well as spoiling his own son. He is also the director of a drill-making company, Grunnings, and seems to be quite successful in his career.

Vernon is a Muggle, and despises all magical things, especially his nephew (by marriage, not blood). He and his wife have grudgingly raised Harry from an early age, denying him any information about the magical world, including how his parents died. Unlike Petunia, who seems to have the slightest feeling of familial loyalty to Harry, Vernon seems to hate his nephew so much that in Harry Potter and the Order of the Phoenix, he was willing to throw him out of the house, knowing that doing so would put him in grave danger. He does, however, show affection (possibly too much and over-the-top) to Dudley. At one point when Vernon thought his family was being threatened by Harry's visiting wizard friends, he stepped in front of Petunia to "save" her, rather like how Lily Potter defended her son on the night when Voldemort attacked.

Vernon also has an aversion to imagination, or to any references to magic, or anything even slightly out of the ordinary—such as in the first book, when Harry mentions dreaming about a flying motorcycle, Uncle Vernon responds by angrily bellowing that motorcycles don't fly, despite Harry's protests that it was only a dream. By the end of Deathly Hallows, he is granduncle to Harry's children James, Albus Severus and Lily by marriage. When the family leaves Privet Drive for the last time in Deathly Hallows, he nearly shakes Harry's hand good-bye, however due to his dislike of both Harry and magic overall, refrains from doing so at the last second. It is implied that after their separation in the beginning of the seventh book, Uncle Vernon and Harry would never see each other again.

Petunia Dursley

Harry Potter character
Petunia Dursley

Fiona Shaw as Petunia Dursley
in Harry Potter and the Prisoner of Azkaban.
Parentage Muggle
Actor Fiona Shaw
First appearance Harry Potter and the Philosopher's Stone

Petunia Dursley (née Evans), is Harry Potter’s aunt. She is described as being a blonde, bony woman with a "rather horsey" face and a very long neck, which she uses to spy on her neighbours. Her eyes are large and pale, quite unlike her sister's. Petunia obsessively follows news about divorced movie stars while sniffing, "as if we're interested in their sordid affairs."[HP5] Her whole family was made up of Muggles, except for her sister Lily who was a Muggle-born witch. According to Petunia, her parents were proud of having a witch in the family, but Petunia saw her sister as a freak, due to jealousy of her magical abilities.[8]

In the seventh book, it is revealed that the Evans girls lived near Spinner's End, the residence of Tobias and Eileen Snape. Their son, Severus, seems to have observed Lily's magical talents from a young age, and took a strong liking to her (despite her status as a Muggle-born). Petunia on the other hand, seems to have been envious of her sister's abilities. She went so far as to write to Dumbledore pleading to be allowed to enter Hogwarts. Petunia was gently denied enrollment at Hogwarts; she has since been terribly cold towards the school, and by extension, her sister and the magical community as a whole. In a letter that Lily Potter wrote to Sirius Black (which Harry read in the Blacks' house), she makes reference to Harry nearly smashing "that horrible vase that Petunia sent" with his toy broomstick and adds "no complaints there". This indicates that the sisters were still in touch at the time, and at least enough for Petunia to send her sister holiday gifts. This also echoes Harry's Christmas presents from the Dursley family (old pair of Vernon's socks, a coat hanger, etc.) which are never pretty or welcome, but do show a grudging sign of attachment from the family.

At some point, she met Vernon Dursley and married him. On 22 June 1980 they had a son named Dudley. Petunia had not seen her sister for years and usually pretended she did not have one at all. However, one morning Petunia discovered her infant nephew, Harry Potter, on her doorstep as she put out the milk bottles.

There was a note left with baby Harry by Albus Dumbledore, which explained that his parents Lily and James had been killed by Lord Voldemort, how Lily had sacrificed herself to save her son's life and how living with his only other relatives would protect him from Lord Voldemort until he comes of age at 17. (When the charm his mother left breaks). Petunia and Vernon grudgingly agreed to raise Harry, but they kept him as downtrodden as possible in an attempt to squash the magic out of him; they never told him how his parents died, instead telling him they had been killed in a car crash and not to ask questions (about that or anything else).

When Vernon attempts to throw Harry out of their house at the beginning of Order of the Phoenix, Petunia receives a Howler from Dumbledore—"Remember my last, Petunia", which Rowling has confirmed is referring to the note he left with one-year-old Harry on their doorstep. This prompts Petunia to override Vernon's decision and allow Harry to stay. Aunt Petunia has, therefore, more knowledge about the wizarding world than she will admit. At the very least, Petunia has proved she knows what Dementors and Azkaban are. In Harry Potter and the Order of the Phoenix, Petunia hears her husband ask what a Dementor is, to which she responds, "They guard the wizard prison, Azkaban." When Harry and the rest of her family look at her strangely for knowing this magical information, she responds that she heard "that awful boy" telling Lily about them years ago. Harry angrily retorts that if she is going to talk about his parents, she could at least use their names, but she does not respond to his retort. It is revealed in Harry Potter and the Deathly Hallows, after Severus Snape has died and passed his memories to Harry, that Petunia was in fact referring to Snape, who had a long friendship with Lily and used exactly the same words, "They guard the wizard prison, Azkaban," to describe Dementors to her. Petunia overheard the exchange and remembered Snape's explanation. While she resents Lily for being able to do magic and go on to Hogwarts while she is left behind in the Muggle world, Petunia retains knowledge of the magical world and has a bit of an idea of the dangers that Harry faces (mainly from information that she had gleaned from eavesdropping on conversations between Snape and Lily).

When Harry leaves the Dursleys at the beginning of the seventh book, it is implied that he never sees Petunia again. Before the Dursleys leave, she almost wishes him good luck, showing that she does feel a tiny amount of attachment to her nephew, however her enforced dislike of Harry and magic prevent her from doing so and she leaves without a word.

Dudley Dursley

Harry Potter character
Dudley Dursley

Harry Melling as Dudley Dursley
in Harry Potter and the Prisoner of Azkaban.
Parentage Muggle
Actor Harry Melling
First appearance Harry Potter and the Philosopher's Stone

Dudley Dursley was born on 22 June 1980. He is the only child of Vernon and Petunia Dursley, a nephew to Marjorie Dursley (his father's sister) and the late James and Lily Potter (Lily being his mother's sister). He is Harry Potter's only cousin.

Described as a very large, blonde (although his hair is black in the films) boy, Dudley has been thoroughly spoiled since birth—he gets mountains of birthday and Christmas presents and then throws a tantrum because he wants even more. He also seems not to care for Harry and is mean to him. He was given two bedrooms in the house, one of which he never uses (it is filled with books and broken toys), but he throws a screaming fit when it is given to Harry.[HP1] Dudley is generally given his way in almost everything. He shows the symptoms of a spoiled brat, as demonstrated when a disgusted Minerva McGonagall tells Albus Dumbledore in the first chapter of the first book, Harry Potter and the Philosopher's Stone, how she saw the toddler Dudley kicking his mother and screaming for sweets.

An enormous, rude, belligerent and selfish boy, Dudley is quite an unlikable character, although he knows how to be polite when he wants to make an impression (notably when his father's business associate came for dinner one evening).[HP2] It can be inferred that he and Harry went to a school in Surrey together, where Dudley and his gang of bullies ruled the school, with their favourite pastime being "Harry hunting". The rest of the students at school shunned Harry, as they knew Dudley hated him, and they did not want to get on Dudley's bad side. With each passing year Dudley was overindulged in every way by his parents, which eventually made him morbidly obese and a careless student.[HP4] In Philosopher's Stone, Harry described him as "a pig in a wig" (alternatively, his mother thought him a "baby angel") and by the fourth book, Harry Potter and the Goblet of Fire, he notes that Dudley "had reached the height and weight of a young killer whale". The same year Harry started at Hogwarts School of Witchcraft and Wizardry, Dudley was enrolled at his father's old boarding school, Smeltings. Smeltings is described as a snobbish public school with absurd traditions. (The use of the term "public school" in England is generally interchangeable with the North American and Scottish use of the term "private school".)

By age fifteen, Dudley has become physically strong (Harry describes him as being vast as ever), and he has taken an interest in boxing and seems skilled in it. A great bully, he leads a gang of thugs (Piers Polkiss, Dennis, Gordon and Malcolm) with whom he regularly beats up younger children such as Mark Evans on the flimsiest of excuses ("He was asking for it ... he cheeked me"). Dudley also starts smoking on street corners and throwing rocks at passing cars and children with his gang, and he continues to be spoiled by his parents.

Dudley has had incredibly bad luck during the books and is therefore a rather ineffective person. In Philosopher's Stone, Dudley knocks Harry down to get in front of the glass case of a python at the zoo and Harry inadvertently vanishes the glass. Though the snake slithered out to freedom and gave passersby a few playful nips at the heel, Dudley declares that the snake nearly took a chunk out of his leg. In the same year, he is given a pig's tail by Rubeus Hagrid, for stealing and eating the birthday cake Hagrid gave Potter. This tail had to be removed at a private hospital in London.

In Goblet of Fire, he becomes wider than he is tall, and the school outfitters tell the Dursleys that they do not stock school uniforms that can accommodate Dudley's size; the Smeltings school nurse advises the Dursleys to put Dudley on a strict diet, and sends a list of recommended foods—fruits and vegetables ("rabbit food", according to Uncle Vernon). During the summer when this diet is enforced, the Weasley family comes to pick Harry up for the Quidditch World Cup. Dudley is afraid of them and attempts to protect his buttocks from magical abuse by keeping his hands clamped on it and shuffling along the wall. Fred and George Weasley "accidentally" drop a magical Ton-Tongue Toffee which enlarges Dudley's tongue to four feet before a hysterical Petunia Dursley (who initially tries to pull it out, causing Dudley immense pain) reluctantly allows Mr. Weasley to shrink it.

One evening during the summer holidays of the fifth book, when both boys are fifteen and walking home, arguing, two Dementors (sent by Dolores Umbridge) attack. Dudley collapses, and Harry uses the Patronus Charm to drive the Dementors away from himself and his cousin. He half carries the shaken Dudley home, while Dudley is convinced that Harry used magic to draw the Dementors (though, as a Muggle, he could only feel them and not see them) to them. After the confrontation, Harry wonders what sort of bad memories the pampered, spoiled Dudley could have relived, as Dementors force you to relive your worst experiences. Rowling later revealed, in an online chat, that Dudley's worst fear was seeing himself for who he really was, and that this was what the Dementors inflicted on him.[9] The experience did, in fact, give Dudley a more favourable impression of Harry, although this new impression did not by any means extend to Dudley's parents. Even so, Harry would remain unaware of Dudley's changed viewpoint until the final book.

In Harry Potter and the Half-Blood Prince, the Dursleys are visited by Albus Dumbledore, who pities Dudley and blames Vernon and Petunia for their "appalling damage" on him and how he has turned out.

In Harry Potter and the Deathly Hallows, Dudley is the only member of the Dursley family to accept Harry: he shakes his hand and thanks him for saving his soul from the Dementor attack in the events of Order of the Phoenix. Harry, as well as Petunia and Vernon, are surprised by Dudley's reaction. It is thought that he may have wished to make amends with Harry over the summer, as he left a cup of tea outside Harry's door and showed some concern for him when the Dursleys left to go into hiding. In his appreciation of his cousin's belated gratitude, Harry says good-bye to him using Dudley's former gang name, "Big D" (before that he had called him "Dudders", just as his parents had, much to Dudley's chagrin). It is implied that Harry and Dudley might meet again. Dudley is described as muscular rather than obese, indicating that he has kept his interest in boxing, and it has paid off.

J.K. Rowling has confirmed that Harry and Dudley have indeed kept in touch, in a "Christmas card sort of way," the latter had children, and Dudley's kids and Harry's didn't like each other very much, but occasionally would "get together while the adults sat in awkward silence". [10]

Rowling restated this on her website on December 7th in the year of 2007, adding that many people have asked her to include an adult Dudley with a Wizarding child in the epilogue of Harry Potter and the Deathly Hallows, and that she herself considered it, but decided upon reflection that any "latent wizarding genes would never survive contact with Uncle Vernon's DNA" and thus she did not do so. Rowling says that Harry and Dudley would stay on "Christmas Card" terms for the rest of their lives, and that Harry would take his family to visit Dudley's when they were in the neighbourhood, but it was something that James, Albus and Lily "would dread", implying that Dudley's children, despite their father's change, were intimidating and unfriendly. [11]

Marge Dursley

Harry Potter character
Marjorie "Marge" Dursley
Aunt Marge
Pam Ferris as Aunt Marge
in Harry Potter and the Prisoner of Azkaban.
Parentage Muggle
Actor Pam Ferris
First appearance Harry Potter and the
Prisoner of Azkaban

Marjorie "Marge" Dursley is Vernon Dursley's sister and is described as being just like him, a large woman with hardly any neck and even a bit of a moustache. Though she is not a blood relative of Harry, he has been forced to call her "Aunt Marge" throughout his whole life with the Dursleys. Marge lives in the country, where she breeds bulldogs. Due to this, she rarely visits Privet Drive, to Harry's great delight. However, each of her visits stands out in Harry's mind for her cruelty to him. Owing to Vernon and Petunia's beliefs, Aunt Marge believes that Harry is a horrible boy, and delights in insulting both him and his dead parents. Her most recent known visit was in Harry Potter and the Prisoner of Azkaban, when, after she insulted Harry's mother and father, an enraged Harry accidentally inflated her, causing her to thus resemble a floating balloon--a possible metaphor towards her being high on her own 'hot air'. She was later rescued, changed back to normal, and the Ministry of Magic modified her memory. She also appeared in a memory in Harry Potter and the Order of the Phoenix—Harry being chased up a tree by one of Marge's bulldogs at age ten while the Dursleys laugh at him from the ground and Marge refuses to call the dog off.

Aunt Marge usually brings her dog Ripper with her when she visits Privet Drive and she treats him better than she treats most humans. While Aunt Marge is gone, Colonel Fubster takes care of her other dogs.

Marge is neither mentioned nor seen in the last two books of the series.

Family tree



(for a full view, here)















Peverell Family






Salazar Slytherin















































Antioch Peverell

Cadmus Peverell









Ignotus Peverell
































Many Generations





Many Generations









Many Generations











Marvolo Gaunt





































Black family






















Morfin Gaunt

Merope Gaunt

Tom Riddle Sr.





















































































Tom Marvolo Riddle

Septimus Weasley

Cedrella Black

Mr and Mrs Dursley





Mr and Mrs Evans



Mr and Mrs Potter


























































Apolline Delacour

Monsieur Delacour

Molly Prewett

Arthur Weasley

Marjorie Dursley

Vernon Dursley

Petunia Evans

Lily Evans

James Potter






































































Gabrielle Delacour


Charles Weasley


Fred Weasley










Dudley Dursley






































































Fleur Delacour

William Weasley


Percy Weasley

George Weasley

Hermione Granger

Ronald Weasley

Ginevra Weasley

Harry Potter










































































Victoire Weasley

Other Children






Fred Weasley

Rose Weasley

Hugo Weasley

James Potter

Albus Potter

Lily Potter


Mr and Mrs Potter

Harry's paternal grandparents are rarely mentioned in the books. However, while looking at a family tapestry in Order of the Phoenix, Sirius states that he stayed with the Potters after running away from home at 16, and they treated him as a second son. According to J. K. Rowling, James was a pampered, only son, probably because his parents were older when he was born. This may also explain why they only had one child. Both were old when they died, succumbing to a wizarding illness.[12] Their deaths occurred sometime before Voldemort killed James and Lily - 31 October 1981 - as Rowling stated that Harry had no living close relatives, apart from the Dursleys, but she also stated that all wizards are inter-related to some degree as they naturally bred together through the centuries. Rowling has also said that Harry's considerable inherited fortune came to him via the Potters. The Potter family members were pure-blooded wizards up until Harry, who is a "half-blood" since Lily was Muggle-born. Before having children of his own with Ginny Weasley, Harry was the last of the line.

Mr and Mrs Evans

Harry's maternal grandparents were Muggles, as was their daughter, Petunia. Their other daughter Lily turned out to be a witch. They were said to be "proud to have a witch in the family", which caused Petunia to become bitter and jealous. Mr and Mrs Evans made their first and only appearance in Harry Potter and the Deathly Hallows, in one of Snape's memories, looking in astonishment and excitement at Platform 9¾. J.K. Rowling has also said that Mr and Mrs Evans died "ordinary Muggle deaths".

Gaunt-Potter relationship

As seen in the Family Tree, The Gaunt family and the Potter family share a Peverell family ancestry. The Potters are shown as descended from the youngest brother, Ignotus Peverell, as evidenced by their possession by inheritance of the Invisibility Cloak, while the Gaunts are shown descended from the middle brother Cadmus, from the passing-down of the Resurrection Stone. Harry Potter and Lord Voldemort, who descended from the Gaunt family, are thus distantly related.

Harry's children

In the epilogue of Harry Potter and the Deathly Hallows, Harry is married to Ginny Weasley and together they have three children: James Sirius, Albus Severus, and Lily Luna. It also states in the epilogue that though the children resemble Harry and Ginny, only Albus inherits Harry and Lily's eyes.

References

External links


Thursday, January 17, 2008

The Tales of Beedle the Bard

Well, Amazon.com is being mighty generous. They posted synopses of the 5 new stories in "The Tales of Beedle the Bard".

Read on!

THE WIZARD AND THE HOPPING POT

As in her Harry Potter series, garnishing the top of the first page of the first fairy tale, "The Wizard and the Hopping Pot," is a drawing--in this case, a round pot sitting atop a surprisingly well-drawn foot (with five toes, in case you were wondering, and we know some of you were). This tale begins merrily enough, with a "kindly old wizard" whom we meet only briefly, but who reminds us so much of our dear Dumbledore that we must pause and take a breath.

This "well-beloved man" uses his magic primarily for the benefit of his neighbors, creating potions and antidotes for them in what he calls his "lucky cooking pot." Much too soon after we meet this kind and generous man, he dies (after living to a "goodly age") and leaves everything to his only son. Unfortunately, the son is nothing like his father (and entirely too much like a Malfoy). Upon his father's death, he discovers the pot, and in it (quite mysteriously) a single slipper and a note from his father that reads, "In the fond hope, my son, that you will never need this." As in most fairy tales, this is the moment when things start to go wrong....

Bitter about not having anything but a pot to his name and completely uninterested in anyone who cannot do magic, the son turns his back on the town, closing his door to his neighbors. First comes the old woman whose granddaughter is plagued with warts. When the son slams the door in her face, he immediately hears a loud clanging in the kitchen. His father's old cooking pot has sprouted a foot as well as a serious case of warts. Funny, and yet gross. Vintage Rowling. None of his spells work, and he cannot escape the hopping, warty pot that follows him--even to his bedside. The next day, the son opens the door to an old man who is missing his donkey. Without its help to carry wares to town, his family will go hungry. The son (who clearly has never read a fairy tale) slams the door on the old man. Sure enough, here comes the warty, befooted clanging pot, now having captured both the sounds of a braying donkey as well as groans of hunger. [Spoiler alert!] In true fairy tale fashion, the son is besieged with more visitors, and it takes a few tears, some vomit, and a whining dog before the wizard at last succumbs to his responsibility, and the true legacy of his father. Renouncing his selfish ways, he calls for all townspeople far and wide to come to him for help. One by one, he cures their ills and in doing so, empties the pot. At the very last, out pops the mysterious slipper--the one that perfectly fits the foot of the now-quiet pot--and together the two walk (and hop) off into the sunset.

Rowling has always made her stories as funny as they are clever, and "The Wizard and the Hopping Pot" is no exception; the image of a one-footed cooking pot plagued with all the "warty" ills of the village, hopping after a selfish young wizard, is a good example. But the real magic of this book and this particular tale lies not just in her turns of phrase but in the way she underlines the "clang, clang, clang" of the pot for emphasis, and how her handwriting gets messier when the story picks up speed, like she's hurrying along with the reader. These touches make the story uniquely her own and this volume of stories particularly special.



THE FOUNTAIN OF FAIR FORTUNE

Featured at the top of what may be one of our favorite fairy tales ever is a picture of a sparkling, flowing fountain. Now that we're thirty pages into the book, it has become clear that Rowling enjoys (and is quite good at) drawing stars and sparkles. The beginning and ending of almost every tale appears sprinkled with pixie dust (à la Peter Pan--fans know that Rowling's pixies are less likely to leave such a pretty trail). This first page of the story also features a small rose bush below the text. It is quite lovely, and as anyone who has tried to draw a rose knows, not that easy to pull off--a fact that makes it less likely that Rowling did it to cover up a mistake (the way some of us might). It is a gorgeous way to start, and it gives "The Fountain of Fair Fortune" a lot to live up to. Perhaps this is why the story begins so grandly and with such a perfectly lush and mysterious fairy tale setting: an enchanted and enclosed garden that is protected by "strong magic." Once a year, an "unfortunate" is allowed the opportunity to find their way to the Fountain, to bathe in the water, and win "fair fortune forever more." Ahhhh, such is the stuff of Harry Potter fans' dreams. In fact, this tale stands out as a favorite partly because it follows the quest arc that fans fell in love with in her novels—the kind we still crave.

Knowing that this may be the only chance to truly turn their lives around, people (with magical powers and without) travel from the far reaches of the kingdom to try and gain entrance to the garden. It is here that three witches meet and share their tales of woe. First is Asha, sick of "a malady no Healer could cure," who hopes the Fountain can restore her health. The second is Altheda, who was robbed and humiliated by a sorcerer. She hopes the Fountain will relieve her feelings of helplessness and her poverty. The third witch, Amata, was deserted by her beloved, and hopes the Fountain will help cure her "grief and longing." In just a few pages, Rowling has not only created terrific fairy tale drama, but an interesting conflict--readers young and old can relate to at least one the woes of Asha, Altheda, and Amata (and can we talk about how great those names are?), so how can you choose which one should win? The witches (much like the characters from our favorite series) decide that three heads are better than one, and they pool their efforts to reach the Fountain together. At first light, a crack in the wall appears and "Creepers" from the garden reach through and wrap themselves around Asha, the first witch. She grabs Altheda, who takes hold of Amata. But Amata gets tangled in the armor of a knight, and as the vines pull Asha in, all three witches along with the knight get pulled through the wall and into the garden.

Since only one of them will be permitted to bathe in the Fountain, the first two witches are upset that Amata inadvertently invited another competitor. Because he has no magical power, recognizes the women as witches, and is well-suited to his name, "Sir Luckless," the knight announces his intention to abandon the quest. Amata promptly chides him for giving up and asks him to join their group. It is heartening to see Rowling continuing to embrace the themes of friendship and camaraderie so prevalent in her series, not to mention her ability to draw strong, intelligent, female characters. We spent seven books watching Harry learn that it is okay to need the help and support of his friends, and that same notion of sharing responsibility and burden is strong in this tale.

On their journey to the Fountain, the motley band faces three challenges. We're in familiar fairy tale territory here, but it is the strong, simple imagery (a "monstrous white worm, bloated and blind") and way the characters work together to triumph over adversity that makes this story such a rich read, and pure Rowling. First, they face the worm who demands "proof of your pain." After several fruitless attempts to attack it with magic and other means, Asha's tears of frustration finally satisfy the worm, and the four are allowed to pass. Next, they face a steep slope and are asked to pay the "fruit of their labors." They try and try to make it up the hill but spend hours climbing to no avail. Finally, the hard-won effort of Altheda as she cheers her friends on (specifically the sweat from her brow) gets them past the challenge. At last, they face a stream in their path and are asked to pay "the treasure of your past." Attempts to float or leap across fail, until Amata thinks to use her wand to withdraw the memories of the lover who abandoned her, and drop them into the water (hello, Pensieve!). Stepping stones appear in the water, and the four are able to cross to the Fountain, where they must decide who gets to bathe.

[Spoiler Alert!] Asha collapses from exhaustion and is near death. She is in such pain that she cannot make it to the Fountain, and she begs her three friends not to move her. Altheda quickly mixes a powerful potion in an attempt to revive her, and the concoction actually cures her malady, so she no longer needs the Fountain's waters. (Some of you see where this is going, but stay tuned--Rowling has more surprises in store.) By curing Asha, Altheda realizes that she has the power to cure others and a means to earn money. She no longer needs the waters of the Fountain to cure her "powerlessness and poverty." The third witch, Amata realizes that once she washed away her regret for her lover, she was able to see him for what he really was ("cruel and faithless"), and she no longer needs the Fountain. She turns to Sir Luckless and offers him his turn at the Fountain as a reward for his bravery. The knight, amazed at his luck, bathes in the Fountain and flings himself "in his rusted armour" (this is the genius of Rowling--the addition of one word gives us the hilarious image of the knight bathing in full body armor in the Fountain) at the feet of Amata and begs for her "hand and her heart." Each witch achieves their dreams for a cure, a hapless knight wins knowledge of his bravery, and Amata, the one witch who had faith in him, realizes that she has found a "man worthy of her." A great "happily ever after" for our merry band, who set off "arm-in-arm" (it’s particularly nice the way this is handwritten, with the hyphens supporting a visual of linked arms). But the story wouldn’t be Rowling's without a kicker at the end: we learn that the four friends live long, never realizing that the Fountain's waters "carried no enchantment at all." Best. Ending. Ever.

As in her novels, Rowling emphasizes that the true power lies within, not merely in a wand and in a mind, but in a heart. Faith, trust, love give her characters the strength to meet the challenges before them. She doesn't preach to her readers, but the message is definitely there: if you allow yourself the chance to trust and love others, you can harness the power that you already have. What a great message for kids (and adults) to learn, and oh, what a lovely and memorable package.

THE WARLOCK'S HAIRY HEART

Beware dear readers: Rowling channels the Brothers Grimm for her third and darkest fairy tale. In "The Warlock's Hairy Heart" there is little laughter and no quest, only a journey into the shadowy depths of one warlock's soul. There is no evidence of pixie dust on this first horrible page, instead we see a drawing of a heart covered in coarse hair and dripping blood (again, it's really not easy to draw an actual heart, with valves and everything, but Rowling gets it just right--gross hair and all). Beneath the text is an old-fashioned key with three loops at the top, lying in a pool of blood, making it quite clear that we are in for a different tale than the others. Don't say we didn't warn you....
At the start we meet a handsome, skilled, and rich young warlock who is embarrassed by the foolishness of his friends in love (Rowling uses the word "gambolling" here--a perfect example of how she never talks down to her readers). So sure is he of his desire never to reveal such "weakness" that the young warlock uses "Dark Arts" to prevent himself from ever falling in love. Fans should recognize the beginnings of a cautionary tale here--Rowling has explored many lessons on the rashness of youth and the hazards of such power in the hands of the young in her series.

Unaware that the warlock has gone to such lengths to protect himself, his family laughs off his attempts to avoid love, thinking that the right girl will change his mind. But the warlock grows proud, convinced of his cleverness and impressed with his power to achieve total indifference. Even as time passes and the warlock watches his peers marry and have families of their own, he remains quite pleased with himself and his decision, considering himself lucky to be free of the emotional burdens that he believes shrivel up and hollow out the hearts of others. When the warlock's older parents die, he does not mourn, but instead feels "blessed" by their deaths. At this point in the text, Rowling’s handwriting changes a bit and the ink on the page appears slightly darker. Perhaps she is pressing harder--is she as frightened of and frustrated by her young warlock as we are? Almost all of the sentences on the left page nearly run into the fold of the book, as we read about how the warlock makes himself quite comfortable in his dead parents' home, transferring his "greatest treasure" to their dungeon. On the facing page, when we learn that the warlock believes himself to be envied for his "splendid" and perfect solitude, we see the first stutter in Rowling’s writing. It is as if she cannot bear to write the word "splendid" since it is so clearly not true. The warlock is deluded, making him all the more upset when he hears two servants gossiping--one taking pity on him, and the other making fun of him for not having a wife. He decides at once to "take a wife," presumably the most beautiful, wealthy, and talented woman, to make him the "envy of all."

As luck would have it, the very next day the warlock meets a beautiful, skillful, wealthy witch. Seeing her as his "prize," the warlock pursues her, convincing those who know him that he is a changed man. But the young witch--who is both "fascinated and repelled" by him--still senses his remoteness, even as she agrees to attend a feast at his castle. At the party, amidst the riches of his table and as minstrels play, the warlock woos the witch. Finally, she confronts him, suggesting that she would trust his lovely words if only she thought he "had a heart." [Spoiler alert!] Smiling (and still proud), the warlock leads the young maid to the dungeon, where he reveals a magic "crystal casket," in which lies his own "beating heart." We did warn you that this was going to be a dark tale, right?

The witch is horrified at the sight of the heart, which has turned shrunken and hairy in its exile from the body, and she begs the warlock to "put it back." Because he knows it would further endear him to her, the warlock "slices open" his chest with his wand and places the "hairy heart" within. Thrilled that the warlock may now feel love, the young witch embraces him (surprising, since we're clearly yelling "Get away from him!" by now), and the horrible heart is "pierced" by the beauty of her skin and the scent of her hair. "Grown strange" from being disconnected from his body for so long, the now "blind" and "perverse" heart takes savage action. Would that we could end here, and allow you to just wonder about the fates of the young witch and the hairy-hearted warlock, but Rowling marches the story on, as the guests at the feast wonder about their host. Hours later, they search the castle and find them in the dungeon. On the ground lies the dead maiden with her chest cut open. Crouched beside her is the "mad warlock," caressing and licking her "shining scarlet heart" and planning to switch it for his own. His heart is strong though, and it refuses to leave his body. The warlock, swearing never to be "mastered" by his heart, seizes a dagger and cuts it from his chest, leaving him briefly victorious, a heart in "each bloody hand" before he falls over the maiden and dies. The last paragraph describing the death of the warlock is the first that looks uneven--the handwriting skews up and to the right just slightly enough that it's noticeable, making the ending feel all the more abrupt and unsettling.

Rowling, like most of the really great fairy tale writers, has no pity for the wicked. Acting out of pride and selfishness from the start of the story, isolating and hardening himself against all feeling, the warlock opened himself up to madness, subsequently taking an innocent life, and destroying his own in the process (sound like any other villain you've met?). As with the other tales we've read, the secret lies in the imagery, both real and imagined (particularly once you see the drawings from the first page). The disturbing and indelible vision of the crazy warlock licking the bloody heart rivals the darkest of the Grimm brothers. Given that this story (and the entire text, after all) is meant to be a book of fables for young wizards and witches, it's fitting that Rowling would make a tale about the misuse of the Dark Arts the most horrible and least redemptive of them all. The Dark Arts, as we fans well know, are not to be toyed with--ever.



Babbitty Rabbitty and her Cackling Stump

A large tree stump (with twenty growth rings—we counted) squats atop Rowling's fourth and longest fairy tale. Five tentacle-like roots spread from the base with grass and dandelion clocks sprouting out from beneath them. At the center of the base of the stump is a dark crack, with two white circles that look like tiny eyes peering out at the reader. Under the text is a small narrow paw print (with four toes). Not as horrific as the bloody, hairy heart of the last story (and this time we do see bright pixie dust on the facing page), but we don’t entirely like the looks of that stump.
"Babbitty Rabbitty and her Cackling Stump" begins (as good fairy tales often do) long ago and in a faraway land. A greedy and "foolish king" decides that he wants to keep magic all to himself. But he has two problems: first, he needs to round up all the existing witches and wizards; second, he needs to actually learn magic. Just as he commands a "Brigade of Witch Hunters" armed with a pack of fierce black dogs, he also announces his need for an "Instructor in Magic" (not too bright, our king). Savvy wizards and witches go into hiding rather than heed his call, but a "cunning charlatan" with no magical ability at all bluffs his way into the role with a few simple tricks.

Once installed as the head sorcerer and private instructor to the King, the charlatan demands gold for magical supplies, rubies for creating charms, and silver cups for potions. The charlatan hoards these items in his own house before returning to the palace, but he does not realize the King's old "washer-woman," Babbitty, sees him. She watches him pull twigs from a tree that he then presents to the King as wands. Cunning as he is, the charlatan tells the King that his wand will not work until "your Majesty is worthy of it."

Every day the King and charlatan practice their "magic" (Rowling shines here, painting a portrait of the ridiculous King waving his twig and "shouting nonsense at the sky"), but one morning they hear laughter and see Babbitty watching from her cottage, laughing so hard she can hardly stand. The humiliated King is furious and impatient, and demands that they give a real demonstration of magic in front of his subjects the very next day. The desperate charlatan says it is impossible since he needs to leave the kingdom on a long journey, but the now suspicious King threatens to send the Brigade after him. Having worked himself into a fury, the King also commands that if "anybody laughs at me" the charlatan will be beheaded. And so, our foolish, greedy, magic-less King is also revealed to be both prideful and pitifully insecure--even in these short, simple tales, Rowling is able to create complex, interesting characters.

Looking to "vent" his frustration and anger, the cunning charlatan heads straight to the house of Babbitty. Peering in the window, he sees a "little old lady" sitting at her table cleaning her wand, as the sheets are "washing themselves" in a tub. Seeing her as a real witch, and both the source and solution of his problems, he demands her help, or he will turn her over to the Brigade. It is hard to fully describe this powerful turning point in the story (and any of these tales, really). Try to remember the richness and color of Rowling's novels and imagine how she might pack these bite-sized tales full of vivid imagery and subtle nuances of character.

Unruffled by his demands (she is a witch, after all), Babbitty smiles and agrees to do "anything in her power" to help (there’s a loophole if we’ve ever heard one). The charlatan tells her to hide inside a bush and perform all the spells for the King. Babbitty agrees, but wonders aloud what will happen if the King tries to perform an impossible spell. The charlatan, ever convinced of his own cleverness and the stupidity of others, laughs off her concerns, asserting that Babbitty's magic is certainly much more powerful than anything "that fool's imagination" could dream up.

The next morning, the members of the court gather together to witness the King's magic. From a stage, the King and charlatan perform their first magical act--making a woman's hat disappear. The crowd is amazed and astonished, never guessing that it is Babbitty, hiding in a bush, who performs the spell. For his next feat, the King points the "twig" (every reference of this cracks us up) at his horse, raising it high into the air. Looking around for an even better idea for the third spell, the King is interrupted by the Captain of the Brigade, who holds the body of one of the King's hounds (dead from a poisonous mushroom). He begs the King to bring the dog "back to life," but when the King points the twig at the dog, nothing happens. Babbitty smiles inside her hiding place, not even trying a spell, for she knows "no magic can raise the dead" (at least not in this story). The crowd begins to laugh, suspecting that the first two spells were just tricks. The King is furious, and when he demands to know why the spell failed, the cunning and deceitful charlatan points at Babbitty's hiding place and screams that a "wicked witch" is blocking the spells. Babbitty runs from the bush, and when the Witch Hunters send the hounds after her, she disappears, leaving the dogs "barking and scrabbling" at the base of an old tree. Desperate now, the charlatan shouts that the witch has turned herself "into a crab apple" (which even at this tense and dramatic point draws a snicker). Fearful that Babbitty may turn herself back into a woman and expose him, the charlatan demands the tree be cut down--because that is how you "treat evil witches." It is quite a powerful scene, not only for its "off with her head!" drama, but because the charlatan's ability to whip up the crowd is evocative of the all-too-real witch trials. As the drama builds, Rowling's handwriting appears slightly less polished--the spaces between letters of her words widens, creating the illusion that she's making the story up as she goes along, getting the words down on the page as fast as she can.

[Spoiler Alert!] The tree is chopped down, but as the crowd cheers and heads back toward the palace, a "loud cackling" is heard, this time from within the stump. Babbitty, smart witch that she is, shouts that witches and wizards cannot be killed by being "cut in half," and to prove it, she suggests that they cut the King's instructor "in two." At this, the charlatan begs for mercy and confesses. He is dragged to the dungeon, but Babbitty is not finished with her foolish king. Her voice, still issuing from the stump, proclaims that his actions have invoked a curse on the kingdom, so that every time the King harms a witch or wizard he too will feel a pain so fierce he will wish to "die of it." The now desperate King falls to his knees and promises to protect all the wizards and witches in his lands, allowing them to perform magic without harm. Pleased, but not completely satisfied, the stump cackles again and demands a statue of Babbitty be placed upon it to remind the King of his "own foolishness." The "shamed King" promises to have a sculptor create a statue in gold, and he heads back to the palace with his court. At last, a "stout old rabbit" with a wand in its teeth hops out from hole beneath the stump (aha! The source of those tiny white eyes) and leaves the kingdom. The golden statue remained on the stump forever more, and witches and wizards were never be hunted in the kingdom again.

"Babbitty Rabbitty and her Cackling Stump" highlights the winking ingenuity of the old witch--who should remind fans of a certain wise and resourceful wizard--and you can imagine how old Babbitty might become a folk hero to young wizards and witches. But more than just a story about the triumph of a clever witch, the tale warns against human weaknesses of greed, arrogance, selfishness and duplicity, and shows how these errant (but not evil) characters come to learn the error of their ways. The fact that the tale follows so soon after that of the mad warlock highlights the importance that Rowling has always placed on self-awareness: Babbitty reveals to the King his arrogance and greed, just as the Hopping Pot exposes the wizard's selfishness and the Fountain uncovers the hidden strength of the three witches and the knight. Of the first four of her tales, only the hairy-hearted warlock suffers a truly horrible fate, as his unforgiveable use of the Dark Arts and his unwillingness to know his true self exclude him from redemption.

The Tale of the Three Brothers

If, like us, you raced through your first reading of "The Tale of the Three Brothers" on your way to the finale of all finales, then you missed quite a tale (one that we think can stand among the best of Aesop). Lucky for you, you can open your copy of Harry Potter and the Deathly Hallows to Chapter Twenty-One and read it any time you like. If you have not already read the final book of Rowling's series (and what a feast you have ahead of you), you might not want read this review…yet. Give yourself a chance to read the tale in context first. You won’t be disappointed.
A trio of toothy skulls stare out at the reader at the top of the last of the five tales (oh how we wish there were dozens more). The skull in the middle has a symbol carved into its forehead--a straight vertical line in a circle, enclosed by a triangle. Fans will remember the symbol from Mary GrandPre's drawing on the first page of the chapter. Underneath the text is a pile of fabric, upon which lies a wand (spouting a swirling stream of sparkles), and what looks like a small stone.

This spooky tale about three brothers, three choices, and three distinct fates begs to be read aloud--in fact, the first time we meet the three brothers is when Hermione reads the tale to Harry and Ron (and Xenophilius). Three brothers traveling along a deserted road at "twilight" (midnight, according to Mrs. Weasley's version of the story) come to a "treacherous" river they cannot cross. Well versed in magic, they create a bridge with a wave of their wands. Halfway across they are halted by a "hooded figure." Death is angry, and tells the brothers (in a funny moment from Hallows, Harry interrupts the story here "Sorry, but Death spoke to them?") that they have cheated him out of "new victims" since people usually drown when they try to cross the river. But, Death is shrewd and offers a reward to each of them for being smart enough to "escape" him (for those of you interested in the tiny details, our copy uses "escape" instead of "evade" that is printed in Book 7). Our favorite fairy tales have this same kind of "choose your fate" plot--you can learn so much about a character from a single choice, and the best stories, like this one, lead you away from where you think it's going toward an ending you never expected.

The oldest brother, a "combative man" asks for the mightiest wand ever created--a wand that will win every duel for its owner, one befitting a wizard who "conquered Death." So Death creates the (fateful) wand from an "Elder tree" (capitalized in our copy) and gives it to the quarrelsome, boastful brother. The second brother, an "arrogant man" who is determined to demean Death further, asks for the power to summon others back from Death. Picking up a stone from the ground, Death tells the brother that it holds the power to bring back the dead. The youngest brother, the most humble and wise of the three, did not "trust Death" so he asks for something to allow him to leave without being "followed by Death." Knowing he may have been outsmarted, Death, hands over "his own" invisibility cloak with a "very bad grace" (as opposed to "most unwillingly" in Book 7). Each brother's choice reveals so much about his motivations: the oldest brother wants the Elder wand to make him powerful over all others; the second brother wants to have power over Death; and the youngest brother wants to leave Death safely behind him.

[Spoiler Alert!] Eventually the brothers take their gifts and go their separate ways, toward very different fates. The first travels to a "certain village" ("distant" in Book 7) and tracks down a wizard with whom he had fought to challenge him to a duel he "could not fail to win." After killing his enemy, he retires to an inn where he brags about the Elder wand, how he won it from "Death himself," and how it makes him all-powerful. That night, a wizard sneaks up on the oldest brother and steals the wand, slitting the brother's throat "for good measure." The haunting refrain, in which Rowling describes Death as taking the brother "for his own," helps both anchor the story as a cautionary tale as well as teach a lesson about the inevitability of death. One of the most important messages from this tale, and from this particular brother, is the notion of using power for good (advice Rowling clearly takes to heart).

The second brother arrives at his empty home, where he turns the stone "over thrice in his hand" (the text in Book 7 omits the "over"), using it to "recall the Dead" (capitalized in our copy). He is thrilled to witness the return of the girl he once wanted to marry, however she is "silent and cold" ("sad" in Book 7) and suffering because she no longer belongs in the "mortal world." Desperate and filled with "hopeless longing" the second brother kills himself so that he can join her, allowing Death to win back his second victim.

The youngest brother uses the "Cloak of Invisibility" (even those of you who haven't read Book 7 yet should realize that this may not be just a fairy tale after all) to hide from Death, until at "very old age" he takes it off and gives it to his son. Then, he greets Death "gladly" and "as an old friend" and departs from "this life." Such a satisfying close to this tale--it still packs a punch even after a second reading. Simple, powerful, and poignant, "The Tale of the Three Brothers" introduces theories about the use and abuse of power (also strong in the series) and shares important messages about life and death. There are many ways in which this tale informs and enhances Harry Potter and the Deathly Hallows (the curious should reread Chapter Thirty-Five, "King’s Cross" and discuss), but our favorite is highlighted by the message that Dumbledore himself imparts to Harry about accepting Death and embracing life: "Do not pity the dead, Harry. Pity the living, and above all, those who live without love." The youngest brother did not try to cheat Death or harm others with his power; instead, he used his gift to live simply and without fear of Death, so that at the end of a long and happy life, he was able to go willingly from this world.

It is a true testament to Rowling’s talent that her fairy tales carry such a strong message, but never appear preachy or overtly didactic (this goes double for her books, and is in part why they are so special). The Tales of Beedle the Bard imparts several of the same lessons as the Harry Potter series, and the stories reverberate with Dumbledore's warning about choosing "what is right and what is easy." Whether she is warning against arrogance and greed, revealing the responsibilities that come with immense power, or extolling the importance of love and faith in oneself, Rowling's boundless imagination and masterful storytelling keep her loyal fans (young and old) coming back for more, ever eager for the next lesson.

sana..

pala Zire 72 na lang kinuha ko..

anyway, i pray that my unit will now last

Monday, January 14, 2008

PHP.com

got this pix from my php fam..


cool sketch

they got this from some site.. JKR revealing Weasley's family tree
and some of Luna and Harry's

Sunday, January 13, 2008

Coffee Prince

i just finished watching Coffee Prince on DVD last night, ay kaninang madaling araw pala. i like it very much. i love it. nakakatuwa. ganitong mga koreanovela ang gusto ko, comedy-romance. =D



Gong Yoo, cute nya noh =D

Yoon Eun Hye


Details:

Title: The 1st Shop of Coffee Prince
Also known as: Coffee Prince
Genre: Romance, Comedy
Episodes: 17 + 1 Special Episode
Broadcast Network: MBC
Broadcast Period: 2007-Jul-02 to 2007-Aug-28
Air Time: Mondays and Tuesdays 21:55 (9:55 Korean time)

Synopsis

This drama is based from a romantic comedy Manwha by writer Lee Sun Mi (이선미). The heroine, Go Eun Chan, disguises herself as a man in order to avoid an arranged marriage. She works in a coffee specialty shop and then falls in love with the hot-tempered president of the shop, Choi Han Kyul. Han Kyul thinks that Eun Chan is a man so he starts to think about his sexuality and Eun Chae is torned that she cannot reveal herself unless she wants to get herself married off.

Cast

Yoon Eun Hye as Go Eun Chan
Gong Yoo as Choi Han Kyul
Lee Sun Gyun as Choi Han Sung
Chae Jung Ahn as Han Yoo Joo

Extended Cast

Kim Ja Ok as Han Kyul’s mom
Choi Il Hwa as Han Kyul’s dad
Kim Young Ok as Han Kyul’s grandmother
Park Won Sook as Eun Chan’s mom
Kim Chang Wan as Mr. Hong (ex-Coffee Prince president)
Kim Jae Wook as No Sun Ki
Kim Dong Wook as Jin Ha Rim
Lee Un as Hwang Min Yeop
Lee Han Wie as Mr. Ku (the butcher that likes Eun Chan’s mom)
Han Yeh In as Go Eun Sae (Eun Chan’s sister)

Production Credits

Original Work: Lee Sun Mi
Chief Producer: Lee Yoon-Jung

Episode Ratings

Date Episode Nationwide Seoul
2007-07-02 1 14.4 (7th) 15.5 (7th)
2007-07-03 2 15.3 (7th) 16.2 (7th)
2007-07-09 3 18.1 (6th) 18.6 (5th)
2007-07-10 4 19.0 (4th) 19.8 (4th)
2007-07-16 5 19.3 (3rd) 20.1 (2nd)
2007-07-17 6 23.2 (2nd) 23.9 (2nd)
2007-07-23 7 25.2 (2nd) 25.3 (2nd)
2007-07-24 8 26.8 (2nd) 28.1 (2nd)
2007-07-30 9 25.2 (2nd) 26.2 (2nd)
2007-07-31 10 25.9 (2nd) 27.3 (2nd)
2007-08-06 11 28.4 (2nd) 30.8 (1st)
2007-08-07 12 29.9 (2nd) 31.4 (2nd)
2007-08-13 13 29.3 (2nd) 32.1 (2nd)
2007-08-14 14 28.1 (2nd) 30.5 (2nd)
2007-08-20 15 27.1 (2nd) 29.0 (2nd)
2007-08-21 16 28.5 (2nd) 30.8 (1st)
2007-08-27 17 27.7 (2nd) 29.5 (2nd)
2007-08-28 Special 19.1 (2nd) 20.0 (2nd)

Source: TNS Media Korea

Wallpaper

OST 1

OST 1 (alternative link)

OST 2

OST 2 (alternative link)

Read more in http://www.coffee-prince.com

Trailer

Watch Online with English subtitle or here

Watch Online with Chinese subtitle




Gong Yoo's mini bio:


Name: Gong Yoo (Kong Yoo)
Real Name: Gong Ji Cheol (Kong Ji Chul)
Date of birth: 1979 July 10
Star Sign: Cancer
Height: 184cm
Weight: 74kg
Blood type: A
Talent agency: SidusHQ

TV Series

The 1st Shop of Coffee Prince (MBC, 2007)
One Fine Day (MBC, 2006)
Hello My Teacher (SBS, 2005)
Internet Drama : Kim Sung-Joon Meets Lee Yoo-Jung [Kong Yu with Sung Yuri] (2003)
Screen (SBS, 2003)
20 Years (SBS, 2003)
Hard Love (KBS, 2002)
When Ever (KBS, 2002)
School 4 (KBS, 2001)

Movies

Ryu ga Gotoku / Like a Dragon (2007)
She’s On Duty (2005)
S Diary (2004)
Superstar Mr. Gam / Mr. Gam’s Victory (2004)
Spy Girl (2004)
My Tutor Friend (2003)

Awards

2007 MBC Drama Awards: Favorite On-Screen Couple (with Yoon Eun-Hye)
2007 MBC Drama Awards: Most Popular Actor by Netizens
2007 MBC Drama Awards: Excellence Acting Award for The 1st Shop of Coffee Prince
2003 SBS Drama Awards: New Rising Star Award



Yoon Eun Hye's mini bio:


Name: Yoon Eun-hye (Yun Eun-hye)
Nicknames: “JamGgoDae”(Stick), “Pooh”
Profession: Actress, Singer, Model
Birthdate: October 3, 1984
Place of Birth: South Korea
Religion: Christian
Height: 168 cm
Weight: 48 kg
Star Sign: Aquarius
Blood type: O
Family: Parents, younger brother
Hobbies: Watching movies, writing letters, taking pictures
Talent: Art, drawing animations
Education: Joong Kyung High School, Kyung Hee Cyber University

TV Series

The 1st Shop of Coffee Prince (MBC, 2007)
The Vineyard Man (KBS2, 2006)
Goong (MBC, 2006)
Rainbow Romance (MBC, 2005) sitcom

Movies

The Legend of Seven Cutter/Escaping from Charisma (2006)

CM

DHC Korea
LG Telecom
Samsung Happy Together
Green Tea
Domino’s Pizza
MPLE
JOINUS
Levi’s Lady style jeans
Samil Pharmaceutical eye2o
Philips Satinelle Ice Premium
CK
KT Mega TV
PRO-SPECS
Trofish
Maxim Latte Ditto
New Balance

Awards

2007 MBC Drama Awards: Top Excellence Acting Award for The 1st Shop of Coffee Prince
2006 The Grime Awards: Best Actress for The Vineyard Man
2006 KBS Acting Awards: Best New Actress Award for The Vineyard Man
2006 KBS Acting Awards: Best Couple Award with Oh Man Suk
2006 MBC Drama Awards: New Actress Award for Goong
2004 Hallyu Award: 15th Seoul Music Awards
2003 Korean Music Awards: Best Singer Award
2002 SBS Music Awards: Representative Award
2001 Award Model Line: Best Dressed Singer
1999 10th Seoul Music Awards: Best Singer Award



yikes! housewife na housewife na ang dating ko =p ... i'm watching koreanovelas na (pili lang naman noh).. hahaha!

Monday, January 7, 2008

December Boys

just watched this movie on dvd:



i love the movie. i love the beach. i love daniel radcliffe.

the movie is great, i like it.. i like the story. it is about 4 orphan boys who wishes to be adopted. they experienced a different situation when they had their vacation at the McAnsh. it is a very different daniel radcliffe you're going to see here.

pitot


last jan. 3, saw macoy, my nephew, sleeping in this way.. nakatulog pala sya while watching ate france play.. pitot mukha nya sa net ng playpen nya.. after kong kunan ng pic, syempre inayos ko na position nya.. =D

illusion


scroll the page to see it wiggle

Sunday, January 6, 2008

pahabol

thank you sa mga pahabol na gifts:

from carina (left), from tita luz (right)

from carina

cute pose

kanina i saw my nephew, macoy, with this position.. ang cute noh.. 7 months na sya kaya nakaka-upo na.. grabe ang likot at ang bilis at hilig gumapang..


pinagdidiskitahan yung teether nya...

addt'l pic

below are additional pictures of our boat ride at pasig river, sent via bluetooth from mommy ellen's phone:

ate, binuhat pa ako..

(l-r) dada roel, frances, mama aase, ate sam, mommy ellen, kuya gab..
pic taken by daddy rudy

ay, putol ulo ni ate sam.. kuha ito ni mommy ellen

as you can see.. nasa labas kami.. may pwedeng tambayan sa harap